Skip to main content

Featured GoAnimator: TheseStars - Hoot and the Yellow Canary

TheseStars
GoAnimator TheseStars is the November winner of my GoAnimate, Get Featured in TET's Blog contest. TheseStars has had her account with GoAnimate since April of 2010 and in that time has amassed 965 followers and published 21 animations.

TheseStars chose to feature her animation Hoot and The Yellow Canary, saying...

I choose this video to be featured in this article for several reasons. The first being that I strongly feel it is my best production thus far as an armature animator working within the GoAnimate Studio. The second reason for my choice is that I would like to share this particular spotlight with the other people who contributed to the success of the production. And lastly, I choose this video because I strongly believe in the message the story line serves to tell others. That they too can create a little magic in their own life.
This video production tells the story of how I literally found a yellow canary on the same day that I told a canary breeder in a pet store that I would, "one day have a Yellow Canary when the time was right".
To this day, it blows my mind how the events of that day unfolded. You see, the timing was perfect. I had an extra bird cage since I was travelin' with Ginger my pet cockatiel and kept an extra larger cage at my other home in New Jersey. 
Anyway, I figured since the story was going to be about birds, I would use my HOOT, the owl character and his side kick Stick figure to advance the story. But I was strugglin' for a storyline to introduce the canary. Which I feel silly about now because the best stories are the true stories. 

Watch TheseStars' animation below and then read about her inspiration and challenges in creating the video.

HOOT! and The Yellow Canary by TheseStars on GoAnimate


Inspiration

The overall inspiration for this video production had some very magical and extraordinary events surrounding it right from the start. So, I'll tell you about them and start from the start.

 The original inspiration came when GoAnimator EnjoyingLifeinSeoul (otherwise referred to here as ELIS) noticed that I was sharing pictures and news updates with friends and family on Facebook about the Yellow Canary that I found on my front lawn in New Jersey. It just so happened that ELIS was in the process of teaching himself how to animate props and characters using the software program, KoolMoves. ELIS asked me if l would like to have a yellow canary animated to join my other original GoAnimate character, HOOT! the owlet that likes to play around with anagrams. Of course, I was thrilled, and said, "absolutely".

Main Challenges

It was on March 2nd 2013 that I first saw the yellow canary come alive for the first time. So now I had this wonderful little moving canary who could dance, talk, close his eyes, fall over in his food dish, and of course, just stand still. The problem was, as I mentioned earlier in this writing, was that I was strugglin' for a storyline to use him. You have to understand that in my head I knew the video would have to be a great production because someone put all this effort into making this character for me. I knew I had to honor that time with something special. I had nothing.

So now time is still passing and it's now June, and I still have no idea how to introduce the Yellow Canary. No idea how I was going to make ELIS proud of his work. Then enters Gypsy Grass, the music. Written and performed by Shawn Gonzales.

Blues Musician Shaw Gonzales is an acquaintance who I had met in November 2012 through New Jersey Hall of Fame Blues Guitarist, Dean Shot while doing some promotional work for a night club.  The quick back ground story on Shawn is that he played slide guitar on one of Johnny Lee Hooker's last recordings before he died. It's now July.

Shawn sends me a link to hear some of his new original music that he just upload online. In just a few short notes, BAM! I knew instantly what I was going to do with the Yellow Canary. I was going to tell the amazing story on how I found him. And I was going to use Shawns' Gypsy Grass to do it. It was the music that sparked the initial inspiration to sit down and start the process in the studio. And it was the music that revealed to me how the story line would flow. Now I had two people to make proud. ELIS and Shawn. The pressure was mounting.

Since I wanted to use all of the music, which was 5 Minutes and 32 seconds in length, I now had time to play around with another story line, besides the true story of finding the canary, to make the work more fun. And who better than to give a story line too, but too my other alter ego personality, Stick Figure. I love setting him up for trouble, and I needed the time filler.

I didn't ask Shawn Gonzales' permission to use the music until after the video was complete. I figured if he heard my amazing true story being told alongside his own original music, that it would be easy to get his permission. So that's what I did. On May 18th, I presented the work to Shawn Gonzales asking his permission.

Yes, I did all that video production work, prop making, and story writing to his music knowing the whole time that there was a good chance he would say, "sorry, I would prefer that you didn't use my music". But thankfully, that's not what happened. This was his response, 'You have no idea how special that was for me. Thank you for such a wonderful experience Renee. I lost my bird "Brutis", of 12 years only 9 months ago. He looked very similar. It was so well done. I would be proud for you to show this to anyone. Thx again for even considering using my music in that way.'

 So besides the amazing story of finding the canary on the same day that I told someone I always wanted a Yellow Canary, is the finding of the music that immediately sent the story rolling through my head was written by someone who had his own personal and touching truth about a bird. Does life get any more uncanny than that? I don't think so.

 I believe the content of the production and the story behind it, could help others learn two things, 1. That they too could drum up some of their own magic in life if they just believe in the power of their own thoughts and words. And, 2. Allow a piece of work to have its own place in time for when it's ready to be, ---don't rush anything that doesn't come easily. I'm not saying you shouldn't try over and over to get a prop right, or a scene right---your should work hard on it, you should probably make several and choose the one that fits best, what I'm saying about story line is don't rush the telling of a story ---especially if its not flowin out on its own.

In the end of it all, I think I made a production that all three of us could be proud.

Here are two more funny things about this production. There is more truth hiding inside the scenes that no one yet has ever noticed. The first is with Stick Figure when asked by HOOT!if he, 'read the script'. Stick figure replies, "don't tell anyone Hoot, but I usually wait till the last minute". It's true--- very rarely do I stick with a script. I rough one out to give me a start, but than the story itself takes over and well I let it go its own course. 

And lastly, there is something in the video that no one ever noticed. It's the name on the directors' board prop I made. Kent Seehem. You can't see him. He is hiding behind my character Thesestars, who I also only give you a cutoff shot of, because I am trying to make it feel like a real studio production getting ready for the big introduction of the characters and the entrance of the Yellow Canary. Thought I'd give this a mention before signing off, and wishing everyone Happy Animating while following your own true stories.


If you've enjoyed TheseStars' work then why not check out more of TheseStars' animations on GoAnimate.

Runner up Featured GoAnimators for the month of November included:

Popular posts from this blog

Can You Learn Reallusion's Cartoon Animator 5 for Free Using Their 137 Official YouTube Video Tutorials Sorted Into a Logical Learning Order?

Or you could just buy The Lazy Animator Beginner's Guide to Cartoon Animator . While Reallusion's Cartoon Animator is one of the easiest 2D animation studios to get up and running with quickly, learning it from all of the official, free, video tutorials can be more overwhelming than helpful. With more than 137 videos totaling more than 28 and a half hours of tutorials, spread across three generations of the software (Cartoon Animator 3 through 5) it's hard to know if what you're learning is a current or legacy feature that you either need to know or can be skipped. Many of the official tutorials only teach specific features of the software and don't relate at all to previous or later tutorials. As a result there are many features either not mentioned or are hard to find. To make your learning easier, on this page, I've collected together all of the essential, official, free video tutorials and sorted them into a learning order that makes sense. Simply start at

TimeBolt: Fast Video Editing for Anyone Creating Online Courses, Podcasts, or Vlogs.

I resisted making tutorial videos for a long time because I don't like editing. Specifically I don't like editing me teaching as I step students through a process during a screen record. I have a tendency to insert long pauses not just in the middle of sentences but between multiple words in the middle of sentences as my pace matches what I'm doing onscreen. This makes for very long and very slow paced video tutorials. To counteract this I have to edit out all the pauses. This can take hours, or even days on particularly long tutorials. For example, when I created my main course, The Lazy Animator Beginner's Guide to Cartoon Animator , I literally injured the thumb on my right hand, operating my mouse, as I spent weeks taking out all my pauses (seriously, I had to wear a thumb brace for a few weeks to fix the pain). Recently I came across TimeBolt , a very affordable, fast editing application with the featured purpose of removing all the pauses from your video (and even

Make Disney/Pixar Style Characters with Reallusion's Character Creator and Toon Figure Bases

The Extraordinary Tourist Classic Coat outfit created using Reallusion's Toon Designer for CC3. I've talked before how I've wanted to get into 3D Disney/Pixar style character animation since I first saw the animated cutscenes for the very first Tomb Raider game back in 1996. It's why I initially bought Reallusion's iClone 3D studio app as soon as I could afford a computer that would run it. But then Reallusion released their 3D Character Creator (CC) for iClone and I wanted to create my characters with that (and I did try with Bat Storm ). But the focus of CC was realism, even with ToKoMotion's stylised body morphs . Now with Reallusion's Cartoon Designer bundle for CC3 which features two packs, Toon Figures , and Toon Hair , designing Disney/Pixar style 3D characters just got a whole lot quicker. The two packs are the bare essentials for creating Toon style characters. Five body morphs (2 male, 2 female, and one adolescent body morph that w

KIT Scenarist - Free, Open Source, Screenwriting Software that Helps Research Your Ideas Too

KIT Scenarist Script Writing Software's Mascot, Alexander Cat. While you can write a script in any word processing app, if you're writing stories (screenplays) that feature characters and dialogue, a dedicated script writing app can save a lot of time formatting, letting you focus more on the actual story. Script writing apps are also very useful if you plan to send your screenplays out to production companies, or if you're collaborating with actors and other production people, who are used to scripts being in a particular standard format.  [Note: In case you're wondering there are reasons scripts follow a standard format and are always written in Courier (typewriter) font, including but not limited to; being easy to read by actors, plenty of space for notes, and the general rule that one page of a script (in this format) equals approximately one minute of screen time.] KIT Scenarist , in my opinion, is one of the best script writing apps out there for ease of use, simp

Review: Headshot Plugin for Reallusion's Character Creator 3

Headshot for CC3. Quite possibly the best 3D Avatar I've made of myself in any 3D application. Creating a realistic 3D human avatar is a whole lot easier with Reallusion's new Headshot Plugin for Character Creator 3. The plugin is an AI powered extension that can generate 3D digital humans from one photo. Which sounds like an amazing proposition but, in practice, if you're trying to achieve a specific likeness to an actual person, Headshot will give you an excellent base to work from. Headshot has two modes, Auto and Pro. Auto Mode Auto is well worth a try if you have an ideal photo of a front facing person that is properly lit and posed to Headshot's optimum requirements. It's also the only mode that will take a crack at generating a hair model. I grabbed an image of Harrison Ford, dragged it into Headshot without changing any of the default settings (other than specifying 'male' and selecting an 'old male' setting) and this is what I

AE Juice - Animation Presets, Motion Graphics, Templates, Transitions for After Effects, Premiere Pro, and Other Video Applications

Level up you video edits and animations with AE Juice's motion graphics and templates. Some days you just don't have the time to create flashy motion graphics for your latest video or animation. For some of us it's more a question of our own artistic abilities being a little less than the awesome we'd like them to be. Whatever reason a resource like AE Juice's animation presets, motion graphics, templates, and transitions packs for After Effects , Premiere Pro , and other video applications can really make your work stand out very quickly. AE Juice gives you access to an instant library of free, premade content elements and sound effects, which you can add to with additional purchases of various themed packs from their store. There are three ways to manage their content, all of which can be used in commercial projects . The AE Juice Standalone Package Manager makes it easy to browse previews of all your pack contents and to download and find just the elements yo

Murf.ai - Text to Speech, AI enabled, Real People, Online Voice Generator and Video Studio Editor

Most of us are not talented enough to perform verbal gymnastics with our voices, easily imitating people of different ages, genders, races etc. Which is real problem for solo animators with little to no budget. How do you voice multiple characters in your animations? Developments in human sounding, Artificial Intelligence (AI), Text to Speech (TTS) voices is making them an increasingly viable and affordable alternative to hiring real actors (or convincing family or friends to help out). Murf.AI is an extremely impressive online, AI voice generation service that sounds like real people. Not just a TTS service, their online studio offers a range of tools that include editing and adding AI voices to entire video projects, converting your own recorded audio to an AI voice, and uploading scripts to be converted into AI voices, and more. A selection of the 120+ available voices. Within Murf's studio you get up to 120+ AI voices in 20+ languages, as well as a library of royalty free musi