The New King of Cartoons

Popular GoAnimate animator, Cartoon King, invited people to continue his original story of the War of Kings. See his animation below.

War Of Kings Trailer - by Cartoon King

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Cartoon King has his own unique style that is more about getting his ideas down quickly and less about creating really polished and professional looking cartoons. It works great for him and I'm sure it means he's always working on something fresh.

However I'm kind of the opposite of that so, when I took up the challenge I thought Cartoon King's original story line could use some editing to make things a little easier to follow. To my mind the original tells the story in reverse so in my version I switched things around into a more sequential chain of events.

The New King of Cartoons - by TET

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Cartoon King had his 'King' character in a kind of 'alternate reality' with TV noise as a background. Since the whole thing had a kind of mystical/supernatural theme I thought why not make the king 'god like' and put him up in the clouds - not necessarily heaven but not necessarily just in the sky on a cloud either. Perhaps an alternate plain in another reality - the Phantom Zone?

Either that or I'd just watched too many episodes of the TV series Monkey as a kid.

The to be continued line was put there because the intention was for other animators to continue the story. I think one or two did but finding their animations could be some what difficult. I know at least one person who did a great next episode but no longer has the episode on their GoAnimate account.

That aside, one of the nice features of GoAnimate is that if you see an animation you like but think could improve upon, if the animator allows it, you can just load a copy of their animation into the Studio Editor and mix it up all you want.

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Eric W. Schwartz: Cartoonist, Animator and Amiga Die Hard

American Cartoonist, Eric W. Schwartz, (whose unofficial Amiga Icon, Amy the Squirrel, is pictured on the July 92 edition of CU Amiga cover on the right) is my only real animation hero. Sure there are the big names like Disney, Chuck Jones, Tex Avery and even Preston Blair whose influences can all be seen in my own cartoons but Eric did what none of the others could. He showed that really great 2D computer animation was within my reach with little more than an Amiga Computer, a copy of Deluxe Paint and Moviesetter.

This was at a time when computer based animation was in its infancy (outside of computer game animation) and Flash was something that lights did.

There were many great Amiga artists but Eric was really the only one consistently making very funny, traditional style animations. His humor and drawing style is heavily influenced by classic Warner Brothers and Disney cartoons but he managed to build on this, creating something that was recognizably Eric's own style.

I've…

Review: CrazyTalk Animator 3 vs Moho Studio Pro 12

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Regular readers of this blog will know I'm a strong supporter, and fairly proficient user of CrazyTalk Animator since version 1. It's a great piece of software for producing 2D animations from purchased content quickly and, with version 3, is easier than ever to create animations from your own art.

Lesser known is that I first purchased Moho Studio Pro 12 (then known as Anime Studio Pro 9) back in October of 2012 and have been upgrading it to the latest version ever since because I believed in it as an application for creating great 2D animation to TV quality standard. As such, it's a much more complex application than CTA3 that I only got around to learning properly late last year. I'm still in the process of blogging my progress.

Despite this I feel I've learned enough of Moho to compare it to CTA3 to help you determine which …

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Storyboarding an animation is one of my least favorite parts of the creative process and yet it's also one of the most important after writing the script. It's where the planning of the visual representation of the script takes place.

The Problem....

I've struggled with storyboarding because I knew there had to be a better way than drawing tiny thumbnails on a sheet of paper with script and camera direction notes crammed underneath - an example of which can be found in my post for my music video animation, Yoshimi Battles the Pink Robots. This method isn't exactly client friendly as my handwriting scrawls can become unreadable even to me over time.

The other technique I employed was using the storyboarding features of Celtx Script Writing Software. Celtx allows you to import your scanned thumbnails (or any digital image) into its storyboard where you can add text and camera direction into scrollable text boxes below each image - and never run out of room. I employed th…

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I bought it for the specific purpose of changing my own voice, to extend my vocal range, for voicing characters in my own animations.
I was fortunate enough to get this software at a significant discount that made it difficult to refuse, given that I'd never tried it, or even heard of it before. I'm not sure if I would have bought it at the full price given that much of what it can do (for my needs) can also be done with the freeware audio program, Audacity.
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Finally the animation is finished and, although I've already debuted it on the Animation 4 Business website, Facebook and YouTube, here is the only place you can read about the behind the scenes creation process.

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Creating a character rig from original art can seem like a daunting task in CrazyTalk Animator 3. Especially if, all you really want to do is put together a quick animation with characters you may never even use again.

Here's how to rig a CrazyTalk Animator 3, G3 human character, with the fewest components, whilst still being compatible with G3 character motions, and having a face capable of lip syncing and character expressions.

You should be able to do this in under an hour - assuming you have your artwork ready to go.

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